Compagnie La Boîte à Sel

affects-chatellerault-066-copie-1770834103.jpegLa Boîte à sel, based in Bordeaux, develops a theater at the crossroads of puppet arts, sound arts, digital and immersive installation, aimed at adults, teenagers, and young audiences.

Céline Garnavault, creator and actress-puppeteer, and Thomas Sillard, sound artist, approach the stage as a laboratory where new forms of presence and narration are experimented.

Their approach articulates objects, materials, movement, sound creation, and devices activated by technology. The technological tools are for them instruments of relation and displacement of the gaze transforming the stage into a critical and sensitive space. The object becomes a dramaturgical partner : it acts, dialogues, resists, and redistributes the play relationships. 

Their work is part of an aesthetic of techno-hacking: experimenting, diverting, assembling, listening to what materials and devices suggest. This empirical and attentive process opens spaces of fiction where human presence, activated objects, and soundscapes coexist. Whether addressed to adults, teenagers, or children, the creations of La Boîte à sel share the same formal requirement and the same attention to the sensitive experience: inviting the spectator to observe, hear, feel — and sometimes intervene.

The company has been the laureate in 2025 of the research device of the DGCA « Listening to objects », recognition of a long-term approach that questions new forms of presence and relationship between humans and technological puppet objects. Two all-audience creations, at the border of spectacle, performance, and experience, have emerged from this research: Bad Block in 2024, then Affects which will be created in November 2026.

La Boîte à sel deploys its work in France and internationally, it is conventioned by the Ministry of Culture – DRAC Nouvelle-Aquitaine and supported by the Nouvelle-Aquitaine Region, the City of Bordeaux, and the Gironde Department.


COMPANIONSHIPS & ASSOCIATIONS

La Boîte à sel is associated la-tete-130-1767377030.JPGsince the 23/24 season with :

  • The Jéliote space - National Center for Puppetry of OLORON SAINTE MARIE (64)
  • The Hectare - National Center for Puppetry of VENDÔME (81)
  • The Theater of the 4 seasons - Conventioned stage of GRADIGNAN (33)

These supportive partners have constituted a precious anchorage for the company: artistically supportive, solid humanly, they have allowed us to create in the long term and in confidence, and to go through these last three seasons with momentum and inspiration.

Read More

Award-winning projects
  • AT THE LISTENING OF OBJECTS - Laureate project of the call for projects "Research in theater and associated arts" of the DGCA - General Directorate of Artistic Creation - 2025
  • AFFECTS - Connected cultures - Nouvelle Aquitaine Region and Drac of Nouvelle Aquitaine - 2025
  • LA TÊTE - Support for the creation/production of musical shows for Young Public - SACEM - 2025
  • INTERNATIONAL - La Boîte à sel is the laureate of the PARI! path supported by the Ministry of Culture and the French Institute and coordinated by On the Move - 2025
Read More

Networks / Training / Support

PROFESSIONAL NETWORKS

  • Themaa - National association of puppet theaters and associated arts
  • Hacnum - National network of hybrid arts and digital cultures
  • MAANA - Collective Puppet and Associated Arts in Nouvelle Aquitaine
  • Scènes d’enfance Assitej-France - Professional association of young public live performance
Read More

Interview

la-tete-087-1767376888.JPGWho are Céline Garnavault and Thomas Sillard ?

Thomas is a sound artist. Céline is a creator and actress-puppeteer. Together we create a theater of techno-hacked sound objects.

A “theater of techno-hacked sound objects”: what is it?

It is a theater made from objects to which we give life through technology and sound, in a way of thinking close to hacking, in the sense of making do with what is at hand, empirically, with curiosity and a sincere attention to objects and what they offer us.

All the technical and technological aspect of your work is fascinating, especially since it does not prevent people from feeling a deep empathy for your objects... What relationship do you want to weave with the audiences?

Our objects are indeed technological, but they are primarily tools, and what we choose to create with these tools is about relationship, dialogue, and emotion. 

In AFFECTS (2026), a show for adults/teens, we will give voice to our materialized emotions in living and sovereign objects to establish a dialogue around the taboo of mental health and the necessity to collectively welcome our vulnerabilities.

In BAD BLOCK (2024), show for adults/teens, we choose to inscribe intuition, randomness, and collective intelligence - which works by bouncing imaginations off each other - at the heart of the experience with the audiences. These objects will indeed connect us, and the show includes a time for exchange and expression from the audience that is an integral part of its writing. 

Read More

Our shows


couv-dossier-1774205313.jpg


The creators
Céline Garnavault

Céline Garnavault

ARTISTIC CREATION

Director, actress-puppeteer and author, explores the boundaries between theater, puppet arts, sound arts, and new technologies to work on new relational imaginaries.

Thomas Sillard

Thomas Sillard

TECHNOLOGICAL AND ARTISTIC CREATION

Sound artist, has renewed the relationship with sound on stage by inventing sound objects,  wireless and interactive, which allow working with sound — in a hundred spatialized points — as a palpable and living material.


La Boîte à sel at festivals - France and international

Supporters