Françoise Sabatier-Morel - Télérama / TTT "A giant electric train game, with tracks, switches, locomotives, level crossings, and barriers… This fascinating railway circuit has everything, which is complemented in this very original show by a live sound creation, produced by the human beatbox Laurent Duprat. Performer-puppeteer, station master, and conductor, he creates a world of loops, both visual and musical: trains that turn, appear, disappear into tunnels, stop, change tracks, all while transporting sound modules (small connected cubes, technological jewels) that allow for sound spatialization. In this circular movement, all the objects come to life under the attentive, anxious, or satisfied gaze of the character (one of the barriers, also luminous and percussive devices, gradually comes to life, like a complicit bird). A theater of connected objects that has the soul and spontaneity of children's games."
Emmanuel Letreulle - Centre France "If Jacques Tati had entered 'the railways' rather than La Poste, Jour de fête would have been transformed, just think! And this great clown we adore would surely have joined the ranks of the company La Boîte à sel. (...) Track, a show that crowns three years of work, marks the meeting of rail and poetry, with here and there a touch of youthful groove like a mix of the Jacques brothers and Massive Attack. Everything happens along a circuit where little electric trains meander and intersect. An old locomotive whistles, another goes choo-choo, wagons creak, barriers open and close in time, all piloted by a tall, lunar figure who is completely overwhelmed by his wacky trains with strange trajectories. Track, a thunderous sound and visual object, was a full house yesterday afternoon, the show delighted the kids and most of their parents.”
Maïa Bouteillet - Paris mômes “Let’s board Track, a show that blends musical installation and object theater. Track takes us on a journey with sounds. There’s a gift-like aspect: just imagine the look on your children's faces when they discover the mega electric train circuit of Track. It sparkles, it’s big, it’s full of colors, it’s fascinating! And here comes the station master, who knows this little world inside out: the small wagons, the big locomotive, the night trains, and even the ghost trains… With his voice, he operates the barriers, replays the whistle, the clattering, the engine, the announcements, the rhythm of the machines, all the railway noise… With a watchful eye, to ensure nothing goes off the rails, he is like a child completely absorbed in his game, a grown-up who hasn’t left his childhood dreams behind. Laurent Duprat is a human beatbox: with his mouth, with his body, he creates a whole sound landscape that he explores in loops, relayed by small speakers connected within a real Swiss clock, managed by Thomas Sillard, the sound designer who created the show with director Céline Garnavault. After Block, which on the same sound principle took kids into the world of construction, the daughter of a railway worker finds a terrain she knows well.”