Françoise Sabatier-Morel - Télérama TTT "Connected sound object theater? Imagine a transparent cube that emits a sound when it is turned over, a technological version of the box that goes "moo". On stage, a woman discovers one, which beeps, first under her hard hat, then another, a third, a fourth..., each broadcasting an urban noise in a different spot. She organizes, masters the situation like a good site manager, until the accumulation of sounds and cubic objects (about sixty of them) absorbs her. The object then takes control... The audience observes universes being created, changing atmospheres, the character in front of them reinventing herself under the impulse of the transformation of sound and scenic spaces. Based on an idea by director and puppeteer Céline Garnavault, Thomas Sillard designed these astonishing blocks, small units of the construction game and major actors in this show, which is rich in both humor and depth."
Cyrille Plançon - La Scène "Sixty small transparent sound-connected cubes for a scenography of great sobriety and, in the middle, a woman who composes and draws the city with her sound and light architectures... Such is the project of Block, a vast construction game imagined by Céline Garnavault and her team. With Thomas Sillard, the designer of the blocks and sound creator, she has reinvented the "moo box", which only works if you turn it over. Undoubtedly one of the most beautiful children's shows of the season."
Cyrille Plançon - Théâtre(s) "A show for the little ones that cleverly combines technology and object theater. Céline Garnavault and her team have created a unique and inventive device for what is one of the most delightful surprises of this children's season. (...) With her sound creator and "inventor" of the blocks, Thomas Sillard, Céline Garnavault gives a new 3.0 life to the "moo boxes" or cow boxes of our childhood. We also appreciate the very playful way the team engages in dialogue with the children after the performance, at the edge of the stage. A magical moment that we have no doubt they will remember. After a few lovely successes (Play, Revers), this Block confirms the talent of Céline Garnavault and those who accompany her. The initial idea was right, and, a rare thing, the Boîte à sel did not let itself be devoured by the technology it imagined and developed. Block is undoubtedly set to have a beautiful tour in the coming seasons. A delightful show."
Maïa Bouteillet - Paris-mômes “Sound object theater, Block turns the "moo boxes" upside down to make the sounds of the city heard. A little woman in a yellow helmet in a landscape of sixty small speakers completely lit up. Site manager or conductor, a bit of a clown too, she knows how to make them sound just by turning them over. One, two, then three… Soon the entire urban orchestra unfolds: sounds of construction, traffic, honking, children, rain, daily life, protests… the sounds multiply, invade the space and heads. The blind test works at full blast.The character experiments wildly and builds increasingly complicated architectures, plastic constructions, bright, noisy cities bustling with activity… She must keep this constantly changing urban cacophony in check, controlling the sound volume. And what to do if the blocks rebel? Soon it’s night, everything falls asleep and the blocks shine like fireflies.Practicing a theater of plastic and sound exploration, the Boîte à sel creates open devices offering a sensory experience to young spectators. The sound creator Thomas Sillard, who is the inventor of these ingenious little devices, and the director and actress Céline Garnavault, who also plays the main role, revolutionize the "moo box" to amusingly raise the theme of city (and self) construction and urban mutations.Magical? A proponent of engaging with the young audience, Céline Garnavault invites them at the end to manipulate the little boxes themselves.”
Le Télégramme "Much more than the technical prowess of the realization and animation of these sixty-one little technological wonders made by Thomas Sillard from the company La Boîte à sel, the children are captivated by this poetry so unexpected in this metal world. One thinks of Chaplin in modern times, of the apprentice sorcerer from "Fantasia." "