TRACK - The review from Paris Mômes - We embark on Track, a show that blends musical installation and object theater. Track takes us on a journey with sounds.

“ There is a gift aspect: just imagine the look on your children's faces when they discover the mega electric train circuit from Track. It shines, it’s big, it’s full of colors, it’s fascinating! And here comes the station master, the only one who knows this little world: the small wagons, the big locomotive, the night trains, and even the ghost trains… With his voice, he operates the barriers, replays the whistle, the clattering, the engine, the announcements, the rhythm of the machines, all the railway noise… With a watchful eye, to ensure nothing goes off the rails, he is like a child completely absorbed in his game, a grown-up who hasn’t left his childhood dreams behind. Laurent Duprat is a human beat box: with his mouth, with his body, he creates a whole sound landscape that he explores in loops, relayed by small speakers connected within a real Swiss clock, controlled by Thomas Sillard, a sound designer who created the show with director Céline Garnavault. After Block, which on the same sound principle took kids into the world of construction, the daughter of a railway worker finds a terrain she knows well.”

The article on Paris Mômes

Press Review